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A
Note to Worship Leaders,
Singers, Accompanists & Players
The
Need to Redefine "Performance" & thus Restore Performing
Whatever worship tradition or
style is practiced in your church community, there is a need for worship
leaders, singers, accompanists and other players to understand their
function in any worship context. All who serve in this capacity
rightfully should struggle with not making it about themselves and thus
their performance in a particular capacity--a struggle which is made
more difficult when you occupy center stage/focus or when the gathering
claps after your performance. Yet, regardless of the worshipping
circumstances this struggle will never be adequately resolved until you:
(1) understand your function in worship,
(2) redefine your performance by this function, not for
example by technique, & thus
(3) restore performing according to your relational
response of worship, which is distinctly outlined
below.
Serving in this capacity you perform a function, necessarily in
relational cooperation with the Holy Spirit, to help "take" the
gathered to God in worship. In order to fulfill this purpose--again
relationally working cooperatively with the Spirit--your "performance"
must (by its nature, not by obligation or compulsion) function ongoingly
in the following relational response of worship:
(1a) Performing before
God, not before the gathering or anyone else--this defines the only
relational context of worship, the integrity of which must be
ensured because this is the only context constituting genuine
worship.
(2a) Performing for
God, not for the gathered despite any good intentions nor even for your
own feedback to improve--only for God is the vital relational clarity of
worship that must be the ongoing focus of your actions and words, thus
minimizing digressing with the gathering or eliminating what is
effectively drawing the focus to yourself.
(3a) Performing to
God, which further distinguishes "performing for God," as the
only focus giving relational clarity to your action of worship, by
taking that action deeper than relating to God merely as the object of
worship to the more direct relational connection with
the intimately relational God; this direct relational connection is made
as performing is the expression of your heart (not your talent) to God, thus coming together with the heart of God (cf.
Mt. 15:8,9;Jn 4:23,24, where "spirit and truth" can be rendered "heart
and honesty"); this is the only relational response of worship that has
relational significance to God, because for
God it's not about what you do but about how you are involved with God in
relationship together.
Any participants in worship must (by its nature) respond to God in this
relational context, with this relational clarity and by this relational
significance. All worship is a function only of relationship, intimate
relationship with God, not a function of any other aspect included in a
worship tradition and style. And worship leaders, singers, accompanists
and other players have the added responsibility to participate in this
relational context and process in growing relationship with God, so that
your actions reflect your involvement with God and thus help "take" the
gathered to God in worship together. Anything less than the above is a
reduction of the relational whole of worship necessary to have
relational significance to God. Any such reduction makes performance a
substitute for this relational response--a substitute prevailing in many
worship gatherings, thus rendering worship and church practice the
ontological simulations and epistemological illusions of reductionism.
As Jesus the Christ's vulnerable life and practiced
revealed to the Samaritan woman (in Jn 4) about intimate connection with
the Father in direct relational worship experience, Jesus' followers
witness to the same gospel only by intimately participating in that same
relationship together, whether you are at the front of the worship
gathering or some place in the back.
This has been taken from a study on Jesus' sanctified life and practice,
which is currently in preparation by T. Dave Matsuo.
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